proxy music — on the visual language of music

July 11, 2018August 8, 2019

The Madcap Laughs: Edward Steed on how he gave Father John Misty’s Pure Comedy sleeve its pure comedy

July 10, 2018October 24, 2018

The Coronation: In the video for “Apeshit,” Beyoncé and Jay-Z claim their spot in the pantheon of fine art

July 10, 2018October 24, 2018

Brand New World: Daft Punk’s merchandise line is harder, better, faster, stronger than yours

July 9, 2018August 8, 2019

I Am Drugs: Mati Klarwein’s art for Miles Davis’ Bitches Brew casts a long, strange spell

July 8, 2018October 24, 2018

Unhuman Nature: James Merry and Björk’s super-natural collaboration on Utopia

July 7, 2018October 24, 2018

Cover Versions: The many masks behind the mask that is Aphex Twin

July 6, 2018August 8, 2019

In Broken English: Marianne Faithfull’s 1979 comeback, as shot by Dennis Morris

July 5, 2018October 24, 2018

Press Play: How St. Vincent sold Masseduction

July 1, 2018August 8, 2019

Peeling Slowly: Under the layers of Andy Warhol’s The Velvet Underground & Nico and Sticky Fingers