proxy music — on the visual language of music

July 24, 2018October 24, 2018

Flesh and Blood: Zola Jesus and Jesse Draxler channel light and dark in Okovi’s sound and sleeve

July 20, 2018October 24, 2018

Cubism on A Pop Song: Animal Collective’s Tangerine Reef and 5 other audio-visual spectacles

July 19, 2018August 8, 2019

Standing Still or Not: The tricks and treats behind Josef Albers’ designs for Command Records

July 17, 2018August 8, 2019

Warrior Women: There are no typical girls on the sleeve of The Slits’ Cut

July 16, 2018August 8, 2019

A Portrait of the Young Man as a Fan: The obsession at the heart of Morrissey’s “Suedehead” video

July 15, 2018October 24, 2018

Extraordinary Machines: How The Knife’s weird and wonderful custom instruments shook up the habitual

July 14, 2018August 8, 2019

Intergalactic Planetary: Space is the place on Bill McMullen’s cover for Beastie Boys’ Hello Nasty

July 13, 2018October 24, 2018

Sequins Are Great: The long-lasting flash and pizzazz of the Nudie suit

July 12, 2018August 8, 2019

The Art of Artifice: Antony Price and Roxy Music set up camp in eight records

July 11, 2018August 8, 2019

The Madcap Laughs: Edward Steed on how he gave Father John Misty’s Pure Comedy sleeve its pure comedy